“I approach music as a living language rather than a fixed tradition.”
Laura Corolla is not what you might expect from a baroque violinist.
She is a sought-after principal player and chamber musician who works with some of Europe's most respected period-instrument ensembles — Cappella Mediterranea, Le Concert de la Loge, the Orchestre de l'Opéra Royal de Versailles, Le Palais Royal, Ensemble Baroque de Nice.
She is also a musician whose music bridges centuries — from early seventeenth-century works to contemporary creations — always guided by a historically informed perspective.
What drives her is not only the origin of the music, but what it awakens in the room, when its stories are unlocked.
For Laura, music begins in the act of listening: in the breath before an entrance, in the resonance shared across an ensemble, in the layered memory of the instrument in her hands. She believes closing the distance between stage and audience, one performance at a time. And when you close it, something changes.
Laura’s Projects & Collaborations
Laura also curates and leads her own projects and collaborations as places of encounter — spaces where music connects with words, movement, and visual ideas in unexpected ways. These programmes often unfold in intimate or unconventional settings, inviting reflection, dialogue, and emotional connection.
By placing familiar repertoire next to new or unexpected material, she opens fresh perspectives on music we think we know — shaping performances that feel rooted in history and alive in the present.
Up next
Laura's next projects and collaborations are taking shape — details to follow. In the meantime, visit her concert agenda to follow her ensemble and chamber work across Europe.